Revolt of the Sage is an exhibition featuring sixteen artists that takes its title from a work by Giorgio de Chirico painted in 1916. The Revolt of the Sage is an example of what the artist would call a ‘metaphysical interior’, and yet its crowded pictorial space overflows with ephemeral things: frames, measuring devices and biscuits. Objects pile up and overlap, while a strange perspective recedes into an irresolvable background. What did the artist mean by a ‘metaphysical interior’? In a letter to Apollinaire, written around the time he painted The Revolt of the Sage, de Chirico describes two realms: our finite condition, and its loss and longing, and a metaphysical realm where time does not exist.